Submitted by Christina Hernandez on Wed, Jan 31st at 8:04 pm


Creating the Crystal Ball Experience – Part 2

By: Micah Starkey


It’s Gala week!! And, as promised, we are back to introduce more of the artists that will be creating the mystical atmosphere of our Crystal Ball.


Angela Fabbri, Fabbriology

Live Painter

Although Angela Fabbri has been pursuing art for 7 years, she dove into live painting just a year ago. Her first live painting experience was during Houston’s Super Bowl saga, and she has loved it ever since!

In the past, Fabbri didn’t like the idea of people looking at her pieces until they were finished. However, over time, Fabbri gained confidence as an artist and is now invigorated by sharing her creative process with others. She explains, “I thrive on the energy of the people anticipating what the final piece will look like…it’s pure magic.”

Fabbri is a self-proclaimed color-obsessed artist whose contemporary, vibrant style is inspired by life, music and the concept of time. So, of course, her Crystal Ball pieces will feature lots of color and playful messaging, but we will have to wait until Friday to see all that she has in store!


Y. E. Torres, ms. YET

Fusion Belly Dancer

Y. E. Torres (ms. YET) - 2017,

Y. E. Torres (ms. YET) is a fusion belly dancer, burlesque performer, teacher, curator, model, and muse. She has been belly-dancing for 24 years and even earned a spot in the Houston Music and Arts Hall of Fame in 2016.

ms. YET describes herself as an “exhibition of deviance and sweetness”. To her, dance is an expression of her emotion—a direct reflection of her survival. To create these caricatures, ms. YET relies on her background in fashion, fabric design and drawing. What she once created in still art forms, she now expresses dynamically through the movement of dance.

Unique to her creative process is her anti-choreography mindset. Instead of performing choreographed pieces, ms. YET works in a space she calls “structured improvisation”. Since the inspiration for her creative work is constantly changing, no two performances are the same.

ms. YET seeks to motivate, inspire and revitalize her audience and is ignited by connections with other artists. She is especially excited to entertain alongside other Gala performers and to be the mystical muse in our captivating Crystal Ball realm.



Excited to see what Angela and ms. YET have in store for us? Of course, you are! 

Buy your Crystal Ball Gala tickets now to ensure you will see these unforgettable live art displays.



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Submitted by Christina Hernandez on Wed, Jan 31st at 7:33 pm

Curious about what to expect? Click the video above!
Fresh Arts Coalition founder and Crystal Ball honoree, Marita Fairbanks, and Glasstire founder, Rainey Knudson, sit down and share funny stories of past Fresh Arts galas, while giving tips on how to have the best gala experience!

Fresh Arts works to strengthen the sustainability and vibrancy of Houston's arts sector by bolstering the capacity and professional practice of artists and arts organizations and enhancing the public's engagement with the arts.
Through its annual gala, Fresh Arts raises the critical funding needed to continue its work in strengthening the Houston arts community by supporting the artists who create it.
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Submitted by Christina Hernandez on Wed, Jan 24th at 8:31 pm

Creating the Crystal Ball Experience – Part 1

By: Micah Starkey

To create the mystifying aura of the Crystal Ball Gala, Fresh Arts will rely on spectacular artists ranging from captivating dancers, to enchanting body painters, and we are thrilled to introduce some of them to you in this blog, and the next.


Rudy Campos, RCC Creations

Body Painter

Instagram: @Creatures_and_Paint

Rudy Campos is a body painter who has been mesmerizing gala patrons for 3 years now. 

Campos went to school for makeup and makeup FX (special effects). Once he finished, he began exploring his love for other forms of makeup, including body painting.  He then was approached by a model friend who proposed that he paint her for a photoshoot. He agreed, and so began his affection for body painting. Campos laughingly remembers, “The pictures and design were pretty laughable, to say the least, compared to what I'm capable of now, but, nevertheless, I take pride in them since they were my first.”

When asked about the live element of body painting, Campos expresses that he loves how the painting process becomes interactive. He is thrilled at the idea of people coming to watch the process since it is usually a new experience for them. To him, watching people see a live canvas transform into a work of art is priceless. 

This year marks Rudy’s third year at the Fresh Arts Gala, and he is dreaming of gemstones, graffiti and 80’s vapor for his Crystal Ball masterpieces.  He says he is always the most excited about the people at the Gala. He loves the variety of people who are in the crowd and is inspired by the fashion and creativity in all the outfits and makeup.



Image by: @rudovell

Alex Ramos, Input Output

Light Installations

Instagram: @1nput0utput


Alex Ramos and his team at Input Output are the masters behind the exciting light installations that will bring the walls of Silver Street Studios to life.

By implementing various digital technologies in inventive ways, they manipulate the properties of light, sound, and space to play with viewers’ perceptions. Ramos explains the sensation of each experience is guided by the human perceptions of sight, sound and touch.  Each piece is designed to be playful but mystical, leaving people questioning their experience.

To Ramos and his team, the gala is a creative playground. Ramos expresses his excitement saying, “The Crystal Ball theme of this year’s gala especially lends itself to the playful aspect of our work, as transporting patrons to a new world using technology is the pinnacle of our creative process.”

Excited to see what Rudy and Alex’s team at Input Output have in store for us? Of course, you are! 

Buy your Crystal Ball Gala tickets now to ensure you will see these unforgettable live art displays.


Check back next week to read about more gala artists!

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Submitted by Christina Hernandez on Wed, Jan 17th at 9:02 pm
 By Micah Starkey
Each year, one the most anticipated features of the Fresh Arts Gala is the showcase of costumes. Our themed inspiration sets the stage for an imaginative, eye-catching display of fashion. At galas past we’ve seen Hollywood celebrities and fantasy creatures, aliens and astronauts, cotton candy hair and life-sized candy bars, candy skulls and paint splattered suits.  With such an impressive track record, we can hardly wait to see what our patrons will come up with for this year’s crystal-crazed affair. To get your imagination going, we are sharing our muses and costume ideas for the 2018 Crystal Ball Gala.
80’s Glam Punk
Our muse for this category is none other than The Purple One, the legendary Prince. His iconic mashups put the glamour in glam-punk. To create your own Prince-inspired look, try anything that dazzles, such as: 
• All things purple
• Sequins
• Ruffles
• Lace
• Iridescent fabric
• Tousled curls
• Metal studs or spikes
• Platform shoes

Fortune Teller
Every crystal ball party demands the presence of a fortune teller. Embody the mysterious ambience of a fortune teller’s tent with the following:
• Long, flowy, multi-layered skirts
• Harem pants
• Headwraps
• Corset top
• Long necklaces, bangles and rings 
• Beaded hip belt
• Tarot cards or a crystal ball
• Tousled waves
• Knee-high boots (with skirts), sandals, or colorful flats


Glitzy and Gatsby
Of course, all that glitters has a place at the Crystal Ball. Bring the sparkle by capturing the Gatsby glow of the roaring 20’s or adorning yourself in royal jewels. For those who want to shine in the spotlight, create an unforgettable look with stunning pieces like:
• Flapper dresses
• Beaded gowns or tops
• Sequins
• Crystals
• Glitzy jewelry
• Tiaras and crowns
• Embellished headpieces 

Finally, since crystal balls are gateways into our future, so too should our costumes be.  Futuristic costumes are the perfect playground for our creative party-goers, because the options are limitless. While there are no rules for futuristic fashion, these starting points can fuel your look: 
• Architectural lines
• Avant garde 
• Metallic colors
• Body suits
• Imagination 

Have a stellar idea for a crystal-crazed costume? 
Upload a sketch of your costume on Instagram with the tag #CrystalCostumes by January 26th for a chance to win a free ticket to the party!

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Fieldwork Trial Day Registration


Complete the registration process to attend the FREE Fieldwork Trial Day hosted by Core Dance, Fresh Arts, and Dance Source Houston.  Participants will have the opportunity to try out the Fieldwork process - Art Making and Critical Thinking. 

Price: $0.00
Submitted by Christina Hernandez on Wed, Jan 10th at 4:39 pm

The Fresh Arts Gala is a party unlike any other. It is always a dreamy affair that transports patrons into a wonderland complete with cocktails, live music, and costumes.  As we anticipate the excitement for our upcoming Crystal Ball Gala, we are reliving the fantasies of galas past.

The Space Ball of 2014 was an interstellar event that was out of this world! Imagine a universe where characters from Star Trek, Star Wars, Space Jam and NASA came together for one intergalactic party. Yes, really, aliens, robots, Princess Leia, Spock and countless other space dwellers partied together, in peace we might add!


The Gum Ball of 2015 took us to the whimsical and sugary world of Willie Wonka. Every Oompa Loompa and life-sized candy bar in Houston had a golden ticket to this sweet, candy-licious soiree which featured Wonka’s favorite treats and aerial acrobatics—although, we may have spiked a few of Wonka’s recipes! 

The Paint Ball of 2016 was a colorful display of pop art, glam graffiti, and neon glow paint. Van Gogh himself flaunted his lovely Starry Night while men in paint-splattered suits danced under glow paint inspired light installations.  

The Cineball of 2017 was an impressive star-studded evening with bright lights and real-life golden globes. Our celebrities enjoyed popcorn, spiked slushies, and candy galore at this Hollywood dream. Cruella de Vil, Darth Vader, Mrs. Piggy, Maleficent, Regina George, The Cowardly Lion, and Marie Antoinette were just a few who walked the red carpet that night.

And finally! Gala 2018…drumroll please! Okay, so maybe no drumroll since it’s no secret that the 2018 Gala has been dubbed The Crystal Ball, but we don’t blame you for being starry-eyed. This shining affair promises to be a dazzling, glam-punk party inspired by all that glitters.  Transcend reality when you consult our fortune teller or visit the tarot card reader for a mysterious glance into your future. Whether it's '20s glitz or '80s glam, a futuristic design, or head-to-toe crystals, just be sure to bring the sparkle. We promise good fortunes await at the Crystal Ball! 

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Submitted by Christina Hernandez on Mon, Nov 13th at 4:46 pm
Ugly Sweaters Have More Fun!
By Micah Starkey, WHAM 2017 Intern

Of all the countless holiday traditions out there, none of them have quite the personality of the beloved ugly sweater.  Last year, we dubbed our Friday Night Preview Party an ugly sweater affair—because who doesn’t want to spread some joy by wearing a silly, quirky, even ugly sweater!

WHAM is a celebration of all things crafty, creative and hand-made, so what better way to join the fun than by making your own ugly holiday sweater.  From bows to glitter, tinsel and lights, you can have all the bells and whistles—literally!  An old sweater plus a trip to your favorite craft store or a rummage through your old holiday décor is all you need to make the perfect ugly sweater.  

Deck your sweater out with metallic tinsel and add pom-poms, ornaments or bells as the finishing touch. Battery-powered strings of lights are sure to draw attention. If you prefer to keep it simple, use felt to create your favorite holiday shapes on your sweater. Finally, use bows on headbands, bobby-pins or ties to create the perfect accessory for your festive fashion statement. The possibilities are endless—plus, no one will hold it against you if it’s ugly…that’s the point!

Not the DIY type? Your favorite vintage store is likely to stock up on ugly sweaters during the holidays. Retropolis in the Heights and Pavement Houston Clothing in Montrose are just a couple of holiday sweater destinations in Houston.  You could also browse a vast selection on Etsy or try your luck at your local Goodwill store.  I’ve even had luck at my neighborhood Marshall’s from time to time.  And if all else fails, maybe look in your grandmother’s closet. (No offense, Grandma!)

Of course, we wouldn’t leave you feeling all dressed-up with nowhere to go! Once you have made or found the ugliest of ugly sweaters, you are ready to join us for the WHAM 2017 Friday Night Preview Party and Happy Hour.  The night will be a special sneak peek of all WHAM art complete with a complimentary open bar and will be attended by over 500 patrons and the WHAM artists.  So, grab your sweater and your Preview Party tickets, and we’ll see you there!

Click to view the Fresh Arts Blog
Submitted by Christina Hernandez on Wed, Oct 25th at 2:54 pm

Interview with WHAM participant, Michael Leanes

Tell me about yourself and your work.

I started making furniture almost two years ago now. I was finishing undergrad in psychology. I never thought I would get into this. I started doing it for fun. I few people liked what they saw and started buying my stuff. A hobby turned more into something that I thought, “Hey, I can do this.” Now I’m at Houston Baptist University getting my Masters of Fine Arts. I’m a full-time student and also doing commission work on the side. They’ve been super helpful and have had open arms about having somebody that does something different. Most of the people here paint, do sculptures, ceramics, stuff like that.

Who or what inspires your work the most?

It started simply, like, hey, I want to make some cool stuff. I wanted to make my own furniture for my house. As I got more into it, it became more about the design aspect of it and making some really pretty furniture that looks nice, but also functions really well. My dad owns a machine shop, so I grew up in a really industrial setting. I saw a lot of how things are made – things with really high precision. I wanted to bring that to furniture. 

What advice would you give to someone beginning a career as an artist?

At the beginning, you have to take some risks. Even now, I wish I had more or bigger work, or more expensive work that I was being commissioned. But more than anything, just be thankful for what you have. And with what you have, try to do work that pushes your limits. People like to see the thing. I’ve had work that I’ve been trying to make for a while, and when I explain it to people, they don't get it. Once I make it, someone automatically wants it. Take those risks. Make something even if you think people may not be open-minded to it. They definitely will be.

How/where do you typically sell/showcase your work?

All of my sales are through word of mouth. We just recently did our website. People will send me emails through that. That’d be another piece of advice I’d give somebody – before you launch a website, make sure you have something that looks professional, even if you are really small. 

As a past WHAM artist, what do you like most about the event?

Meeting all of the different people that come through. The Heights area, the area that the studios are in. There’s a lot of people that are just now moving into the neighborhood. They’re quirky. They like different things. They like nice things. They’re living in these older houses that they’re re-doing. It’s just nice to meet that array of people. It’s a really cool event. You don't really know what you’re going to see until you get there. I think that’s people. People get to go to a different kind of market. It’s not the same style that you see everywhere else. 

Do you use your talent to make handmade gifts for friends and family during the holidays?

Yes. Usually, a lot of my friends will get married and we will make them a set of different cutting boards or big salad bowls. We’ve made them all kinds of little knick-knacks, like candles and mason jars. I gave a couple of my friends coffee tables. It’s more enjoyable. You’re not doing it for a paid gig, but out of your kindness. It’s nice being able to make stuff with your own hands that people can enjoy.

What makes the perfect handmade gift?

I think it’s something simple. Not over the top. Something that they can use. When you make something like a coffee table that is open-ended, it can be used for lots of stuff.

What is the worst gift you have ever received?

A fridge magnet from someone’s vacation. Or a postcard. Like, “Hey, look what you missed out on!”

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Submitted by Christina Hernandez on Tue, Oct 24th at 9:45 pm

Interview with WHAM participant, Tony Paraná  |  Facebook: Tony Paraná  |  Instagram: @tonyparana

Tell me your story. What brought you to your art?

I did a little bit of work when I was young. When you’re a kid, you don’t know what you really want to do or what you’re going to be. Painting was a distraction at the moment, but I was a kid. I wanted to play around. A few years later, I moved to San Paulo. I was nineteen. The place where I worked had an art class across the street. I got interested and I met the owner. He was teaching classes. I was listening and looking and thought it was really cool. I took one class with him. I came to the United States in 2002. After coming to the U.S., something struck me. I decided to paint. I lived next to a guy with a gallery and went and talked to him. He said, “Yeah, man, create some stuff, and if I like your work, we can do a show here.” That was in Albuquerque, New Mexico. I guess there wasn’t a lot of art around, because he allowed me to do a solo show. I created ten pieces and people came to support. After that, I just kept moving. I’m a self-taught artist. In that aspect, I feel really blessed to have the natural skill of transferring things to canvas. It’s something that makes me feel at home. I’m from Brazil. I lived there for twenty years. Everything I try to describe in art is something related to me from home – playing in the streets, going to street festivals, listening and looking at things I shouldn’t be looking at. That was always interesting to me. When I had the chance to transfer that to the canvas, it made me feel really, really happy. Since then, I’ve tried to open an art group in Albuquerque. I had meetings and stuff, but ended up having to move to LA. When I moved to LA, I was basically working in TV. I still had chances to show my art in a few places there. After two years in LA, I moved to Houston in 2006, 2007. I started finding a studio for myself. I organized the first Montrose Art Soiree, which was fifteen artists in an old building that we turned into an arts show – kind of an underground art show. I came to the idea of opening an art group. The idea built from New Mexico, where it couldn’t happen, to Houston. We opened Montrose Art Society, which was a really good experience with ten, twelve artists. But you know, when you have more than one artist, it’s really hard to make a decision. Two years ago, Eduardo, my partner, and I organized the Forum 6 gallery space. This year, Eduardo said that it was time for us to do it. We moved out of here, because this was our studio, and we opened Forum 6, which is the collective space. We have twelve different, local, established artists, and they’re very talented. This is our third show and we have a lot of good things coming up. 

What work have you done in the past? What are you working on currently?

This timeline is something that the artist goes through. You start creating and you have one feeling, one idea of what you want to do and what you want to be. As time passes by, new things come to you and you pass through personal situations and emotions. Your art changes and develops. When I look at stuff I did before, I say, “What is this? I got to fix this. It doesn’t look right. I have to change it,” but you can’t change it. It’s your history. It has to be there. The things I do today are more political. I love bringing out issues that people may pass by without looking. I try to manifest social issues. This has developed from before. I guess it’s a natural thing, like when you’re born, you learn to walk, but you don’t know how to run. Then you learn how to run. Things come to you as time passes. Today, my work is more fine. I work on my personal technique, my own way of painting, and having a better way to make people understand my work.

What inspires you?

Vibrant cultures vibrant energies, and vibrant people. I play music. No matter where you are, music has that dynamic energy source. Music is something that I like to have in my work. I also do capoeira, which is a Brazilian martial art. If you had to sum me up, it would be capoeira, art, and music, which are the three things I do. Capoeira is the one I like the most. It connects me with my soul, body, and mind. Capoeira is such a gigantic source of energy. I always like to describe capoeira in my work. Especially now. There was a time that I used to do a lot of drawings from pictures. That was okay. That kind of work was never my focus because it was very different. Today, I realize that people like my personal creations more than my drawings because there’s more of me – who I am. There’s energy. It’s me because I’m creating. It’s unique. My country is something that really inspired me. I grew up in the ghetto, the poor neighborhood, where people walk in the street barefoot, people struggle, there’s crime. There’s also a lot of good people. Those are the things that really come to mind when I think, “Who do you represent? What do you like to do?” It was tough, but I wouldn’t change it for anything. I experienced playing in the street, having a fight over here, someone jumping the fence to steal fruit from a neighbor, a dog over here. Those no price to those kinds of things. I try to pass that living experience.

Where can we find your work?

I recently came from Paris from a show there, which is the second time I’ve been to Paris. Finally, here in Houston, I applied for the Bayou City Art Festival. I’ve applied four times, one year after the other. Three years ago, they finally accepted me. The first year, I got second place. I got paid for that. This year, they asked me to be the featured artist. In Houston I’ve had a show at War’Hous, small places, small galleries. White Linen Night in the Heights. I didn’t really have good luck with galleries. I didn’t try to reach galleries. I believe in your journey. When things come to you, they came for a reason. Galleries didn’t come to me and I’m okay with that. My work has traveled. I’ve sold a couple pieces in Paris, LA, New York. I’ve had my work sold in Finland. Germany. Nothing really big here yet.

What do you think of the arts scene in Houston?

Because of the diversity of the city, I believe we have the potential to be #1 in the U.S., as far as arts go. We have great museums. We have a lot of really good support for the artists. There are a lot of organizations that provide money to individual artists to create their own work. There’s a lot of grants out there. It’s really important to have this money available to the arts. You have to work your way to the top, but also give your presence and support to others. Houston is a spotlight for art. A lot of international artists come here. We have a lot of potential to grow. 

How do you like working in the Washington Avenue Arts District?

It’s the heart of art. The Museum District is the place for the big players. For emerging artists, this area is the heart of Houston. Everything related to art that comes to Houston passes through us. If artists are looking for more exposure, they have to get one of these studios. They are big plentiful, and you do pay a lot, there is no doubt about that, but you get opportunities here that you wouldn’t get at your house or garage. 

Tell me about your involvement with Fresh Arts. How has the organization influenced you and your work?

My first connection with Fresh Arts was when we opened Montrose Art Society. In 2008 or 2009 we were looking for different resources that we could provide to the artists in Montrose Art Society. I did the registration and thought it was a really good opportunity for us to collaborate with this organization. Look what they can do. There’s stuff that they already do that we want to do – different ideas and options for people. We talked to them and hosted a show called The Candy Shop, which was done at the old location with Spacetaker. It was a great experience. Everyone is super helpful. They really love what they do. They’re so busy. Everyone is really professional. They host very good events – The WHAM, I’ve been part of that show for about six years. It’s one of the best events for me. It’s a lot of exposure and sales. It’s very important for the city because they do so many things, like workshops that focus on making an artist more professional, how to write a grant, and how to approach new places. Fresh Arts is one of the best, if not the best in Houston. Even better than Houston Arts Alliance. Fresh Arts is one of my favorites.

Looking onward, how do you see your work growing?

I’ll say that each artist has the dream of being famous. What I want for my work is to create something that’s meaningful to the world. I want to be able to sustain myself, so make enough money to live a quiet, simple life. I also want to be known for the work that I do. The work that I do does not only represent me, it represents a whole group of people. It represents a kind of struggle that’s real and makes people reflect and think about it. I look at my work as a statement. Like, I’m creating a beautiful thing, but it also makes people think about the message. 

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