By Klaus Ottmann, courtesy of The Phillips Collection Blog.
Post date: Apr 25, 2012
Courtesy of Independent Artist Network.
Post date: Apr 25, 2012
Ashley Miller, Vice President of SESAC a performing rights organization located in the West Coast, discusses the benefits of the performing rights organizations gives to an artist and the role they play as advocates.
Post date: Apr 25, 2012
By Ne-Kajira Jannan, courtesy of OrientalDancer.net
"Please note: this article provides informational guidelines only, obtained from public sources and from the performing rights organizations mentioned here. Professional legal advice should be sought whenever legal issues are a concern. Also consult your BMI, ASCAP or SESAC representative before purchasing a license.
Post date: Apr 25, 2012
Performing rights organizations (there are three of us in the U.S.) are businesses designed to represent songwriters and publishers and their right to be compensated for having their music performed in public.
Post date: Apr 25, 2012
Formed in 1939 as a non-profit-making performing right organization, BMI was the first to offer representation to songwriters of blues, country, jazz, r&b, gospel, folk, Latin and, ultimately, rock & roll.
Post date: Apr 25, 2012
By George Howard, courtesy of Artists House Music.org
Post date: Apr 25, 2012
By Robert Brode, courtesy of Artist House Music.org